Donate with Paypal
22. July 2017 – Thierry Tidrow Portrait Concert in Lauenberg, Germany.
24. July 2017 – set with composer Patricia Alessandrini at Cafe Oto, London.
4.-17. September 2017 – hand werk on tour in Israel
29. September 2017 – hand werk play COMMUNIO in Zürich, Switzerland
3. October 2017 – solo show in Gothenburg, Sweden
6. October 2017 – solo show in Copenhagen, Denmark
27. October 2017 – duo recital with Eva Zöllner at York University, UK.
- Composers! Opportunity to write for @XPressz @rarescale and I (with our fearless colleague Scott Wilson on hand for… twitter.com/i/web/status/9… 3 hours ago
- RT @uvicMusic: #UVic New Music & Digital Media Festival—Feb 2-4. Come and find out why the Victoria experimental music scene is recognized… 4 hours ago
- RT @burntcopper: It's #penguinawarenessday. Support your local indifferent penguin. https://t.co/YRtgtshPud 10 hours ago
Author Archives: heatherroche
One for the bass clarinet players today… I was working on writing up some short exercises to help with working on the altissimo, particularly quarter tones, and thought that actually these might be useful for any advanced bass clarinet students … Continue reading
hand werk has a new CD out today — kuzwelle — and you can stream/download it on bandcamp. Four great new pieces by Francisco C. Goldschmit, Max-Lukas Hundelshausen, Elnaz Seyedi and Matthias Krüger. This project was made possible by ON … Continue reading
Just a fun little contrabass clarinet-related post for you today, but a few nice sounds here, just using the mouthpiece (with reed) and the neck of the contrabass clarinet. (Again, I play a paperclip, so these techniques are only applicable … Continue reading
I’ve done a guest post for The Sampler, the UK’S “leading online destination for new music” on writing multiphonics, specifically how to think about writing multiphonics that enter one note at a time. I talk about multiphonics like this one … Continue reading
This is the bass clarinet version of my previous post (for Bb/A/Eb clarinets) on the same subject. I’ve created for you a chart that demonstrates quite clearly (I hope) in three octaves the relationships between all the pitches, including quarter … Continue reading