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upcoming performances:
18. May 2019 – 2, 3, and 4pm – performances of Amir Konjani’s To Be Someone Else is a Battle, Barbican’s Sound Unbound Festival
20-22 May 2019 Apartment House Residency at Cafe Oto
June 15, University of Durham, with Eva Zöllner
June 18, Venice Biennale (German Pavillon), with Eva Zöllner, Elnaz Seyedi’s Nach Neuen Meeren
August 4-11 Kalv Composers Academy, Sweden, with Mimitabu
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recent tweets
- Saw a great TEDtalk this am from Sara Lazar, who has done a lot of research into meditation and its ability to chan… twitter.com/i/web/status/1… 1 day ago
- One of my fellow trainees on my yoga course is running a week at the end of April with guided meditation, a bit of… twitter.com/i/web/status/1… 1 day ago
- Vera giving me the ol come hither heather https://t.co/aCqmZlMkMu 4 days ago
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Category Archives: air sounds
…on singing and playing
In the past, I’ve had a tendency to dismiss or dislike singing and playing, but more recently I’ve come to enjoy it and even start to encourage composers to make use of it. I’m going to slowly rebuild this post … Continue reading
Posted in air sounds, dyads, flutter tongue, glissandi, multiphonic, singing, spectral multiphonic
4 Comments
…on writing air sounds for clarinets
Video introduction to this blogpost (see below for the rest of the post): Update (Feb 15, 2017): It’s the three year anniversary of this post this week, so I’ve updated it with some contrabass clarinet air sounds and a … Continue reading
Posted in air sounds, articulation, collaboration, flute embouchure, flutter tongue, on composing for the clarinet, performance, slap tongue, spectral multiphonic
Tagged air noise, air noises, air sounds, bass clarinet, clarinet, collaboration, composers, contemporary clarinet technique, contemporary music, new music, techniques
30 Comments