Donate with Paypal
search heatherroche.net
upcoming performances:
18. May 2019 – 2, 3, and 4pm – performances of Amir Konjani’s To Be Someone Else is a Battle, Barbican’s Sound Unbound Festival
20-22 May 2019 Apartment House Residency at Cafe Oto
June 15, University of Durham, with Eva Zöllner
June 18, Venice Biennale (German Pavillon), with Eva Zöllner, Elnaz Seyedi’s Nach Neuen Meeren
August 4-11 Kalv Composers Academy, Sweden, with Mimitabu
https://open.spotify.com/follow/1/?uri=spotify:artist:4fFOV4TeO0Q6BfjrLgxLg2&size=basic&theme=light
recent tweets
- Saw a great TEDtalk this am from Sara Lazar, who has done a lot of research into meditation and its ability to chan… twitter.com/i/web/status/1… 1 day ago
- One of my fellow trainees on my yoga course is running a week at the end of April with guided meditation, a bit of… twitter.com/i/web/status/1… 1 day ago
- Vera giving me the ol come hither heather https://t.co/aCqmZlMkMu 4 days ago
Subscribe to Blog via Email
Category Archives: flutter tongue
Low register colour fingerings: the special case of the paperclip contra
It’s been a long time since I’ve been able to add something useful to the blog, but I think this will be worth it; not only is this a beautiful effect, but it’s also my very first post on the contrabass clarinet. Composers, try … Continue reading
Posted in contra, flutter tongue, slap tongue, spectral multiphonic
5 Comments
…on close dyad multiphonics for Bb clarinet
This is one of the most beautiful multiphonic effects we have at our disposal, and despite having come across them in many pieces, I’ve been surprised that they aren’t better known. I’ve given a few workshops in Denmark in the … Continue reading
Posted in dyads, flutter tongue, multiphonic, performance
22 Comments
…on singing and playing
In the past, I’ve had a tendency to dismiss or dislike singing and playing, but more recently I’ve come to enjoy it and even start to encourage composers to make use of it. I’m going to slowly rebuild this post … Continue reading
Posted in air sounds, dyads, flutter tongue, glissandi, multiphonic, singing, spectral multiphonic
4 Comments
…on clarinet articulation
Bit of a monster post for you today, so I won’t waste too much time in introducing it. Basically I’m going to cover all the different ways the tongue and throat can be involved when playing the clarinet. From the basics … Continue reading
Posted in articulation, clarinet techniques, double tongue, flute embouchure, flutter tongue, multiphonic, on composing for the clarinet, shaking, slap tongue, spectral multiphonic, tongue ram, trumpet embouchure
Tagged articulation, bass clarinet, clarinet, clarinet articulation, clarinet techniques, collaboration, composers, contemporary clarinet technique, contemporary clarinet techniques, contemporary music, new music, tonguing
29 Comments
… on bass clarinet preparations
I started thinking more seriously about preparing the bass clarinet after Aaron Einbond used it in his (awesome) piece, Resistance, for prepared bass clarinet and live electronics. I originally assumed that it wouldn’t be so useful: one can only prepare the … Continue reading
Posted in aluminium foil, bending, clarinet techniques, flutter tongue, multiphonic, on composing for the clarinet, performance, preparations, singing, spectral multiphonic, water
Tagged bass clarinet, bass clarinet preparations, clarinet, collaboration, composers, contemporary music, new music, preparations, preparing bass clarinet
10 Comments