Category Archives: on performance

How to Apply for a (Composition) Competition

Posted on January 13, 2015 by

If you follow the blog, you’re probably aware that recently I successfully raised funds with crowdfunding in order to fund a competition for young composers. Here is the first blog post in a series documenting the competition process! The application … Continue reading →

Posted in advice, collaboration, on collaboration & composition, on performance, performance, the competition | 22 Comments

on chamber music

Posted on November 1, 2013 by

A few weeks ago, as part of a week long residency at Bangor University (specifically to play a rockin’ concert with Xenia Pestova and Carla Rees), I was asked to lead a workshop on chamber music performance. I don’t teach … Continue reading →

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the cologne new music scene

Posted on October 25, 2013 by

This article was published in German this week in the ON magazine (online version is here). The magazine features a number of articles from local interpreters, composers and even dancers, discussing their experience of the scene here in Cologne. Here … Continue reading →

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the kölner musiknacht: another performance paradigm

Posted on September 18, 2013 by

Some time ago, I wrote at length about my ensemble‘s last experiment with the audience-performer relationship through an alternative concert situation, our Unter Vier Ohren project. As I’ve been so focused on developing audience-performer/ensemble relationships, the Kölner Musiknacht seemed the … Continue reading →

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Approaches to the performer/audience relationship: a case study

Posted on July 7, 2013 by

Over the last two weeks, my ensemble has collaborated with ensemble chronophonie on a fairly unusual concert presentation. Called Unter Vier Ohren (literally “under four ears” – “unter vier Augen” means “between the two of us”), we installed 7 musicians … Continue reading →

Posted in on collaboration & composition, on performance, performance | Tagged , , , , | 16 Comments