Category Archives: register key

upper joint stopped air technique

This technique, which follows in the footsteps of two posts, namely that on air noises and the one about playing with only the lower joint, is further dedicated with many thanks to the fantastic composer Johan Svensson, who introduced me to this technique … Continue reading

Posted in multiphonic, preparations, register key, tongue ram | 1 Comment

… on writing Bb clarinet harmonics

As composers and clarinetists, one thing we know about the clarinet is that its distinctive sound comes in large part from the fact that it only has access to odd partials in the harmonic series. This is all very well … Continue reading

Posted in clarinet techniques, multiphonic, register key, spectral multiphonic | 8 Comments

…on using the register key

Something that’s started to interest me recently when it comes to clarinet writing and collaboration with composers, is the generation of material. I love these long collaborative meetings where you just sit together and generate material for its own sake. And … Continue reading

Posted in clarinet techniques, multiphonic, on composing for the clarinet, performance, register key, trill | Tagged , , , , , , , , , , | 4 Comments