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upcoming performances:
15. April 2018 – with Mimitabu in Gothenburg
27. April 2018 – with An Assembly/ensemble x.y., music by Bryn Harrison, Michael Finnissy, Cassandra Miller, etc. – at St. John’s Waterloo
28. April 2018 – LSO meets London Jazz at LSO St. Luke’s with Emma-Jean Thackray, Tom Skinner and colleagues from the LSO.
1. May 2018 – Student works concert at Goldsmith’s University
7. May 2018 – playing in Rome with Apartment House
recent tweets
- RT @BrittenSinfonia: We are now accepting applications to our Academy on specific instruments. Do you know a terrific young musician who pl… 3 hours ago
- A little bass line practice for the @lsojerwoodplus gig on Saturday... #contrabassclarinet https://t.co/DlsAmS5S6B 4 hours ago
- RT @tremblap: Berlin friends: if you want to hear some good chamber music, @Quasar4_sax is playing at Unerhörte Musik May 1st. The programm… 4 hours ago
Category Archives: tongue ram
upper joint stopped air technique
This technique, which follows in the footsteps of two posts, namely that on air noises and the one about playing with only the lower joint, is further dedicated with many thanks to the fantastic composer Johan Svensson, who introduced me to this technique … Continue reading
Posted in multiphonic, preparations, register key, tongue ram
1 Comment
…on clarinet articulation
Bit of a monster post for you today, so I won’t waste too much time in introducing it. Basically I’m going to cover all the different ways the tongue and throat can be involved when playing the clarinet. From the basics … Continue reading
Posted in articulation, clarinet techniques, double tongue, flute embouchure, flutter tongue, multiphonic, on composing for the clarinet, shaking, slap tongue, spectral multiphonic, tongue ram, trumpet embouchure
Tagged articulation, bass clarinet, clarinet, clarinet articulation, clarinet techniques, collaboration, composers, contemporary clarinet technique, contemporary clarinet techniques, contemporary music, new music, tonguing
26 Comments
