Tag Archives: collaboration

…on double trills for Bb clarinet

This page is currently undergoing a two-phase reboot. The first phase (now completed) involved remaking all of the image files, fixing any errors I’ve found over the years, tidying up the audio files, and adding proper fingering diagrams (rather than … Continue reading

Posted in clarinet techniques, double trills, dyads, multiphonic, on composing for the clarinet, performance, trill, trills | Tagged , , , , , , , , , | 6 Comments

…on clarinet articulation

Bit of a monster post for you today, so I won’t waste too much time in introducing it. Basically I’m going to cover all the different ways the tongue and throat can be involved when playing the clarinet. From the basics … Continue reading

Posted in articulation, clarinet techniques, double tongue, flute embouchure, flutter tongue, multiphonic, on composing for the clarinet, shaking, slap tongue, spectral multiphonic, tongue ram, trumpet embouchure | Tagged , , , , , , , , , , , | 26 Comments

…on using the register key

Something that’s started to interest me recently when it comes to clarinet writing and collaboration with composers, is the generation of material. I love these long collaborative meetings where you just sit together and generate material for its own sake. And … Continue reading

Posted in clarinet techniques, multiphonic, on composing for the clarinet, performance, register key, trill | Tagged , , , , , , , , , , | 6 Comments

… on bass clarinet preparations

I started thinking more seriously about preparing the bass clarinet after Aaron Einbond used it in his (awesome) piece, Resistance, for prepared bass clarinet and live electronics. I originally assumed that it wouldn’t be so useful: one can only prepare the … Continue reading

Posted in aluminium foil, bending, clarinet techniques, flutter tongue, multiphonic, on composing for the clarinet, performance, preparations, singing, spectral multiphonic, water | Tagged , , , , , , , , | 8 Comments

…on soprano clarinet glissandi

Clarinet glissandi are fun. But they’re quite hard to understand for composers, because they aren’t easy in all registers and what individual performers can or can not do affects a lot. This post won’t necessarily be comprehensive, but as with … Continue reading

Posted in bending, clarinet techniques, glissandi, on composing for the clarinet, performance, singing | Tagged , , , , , , , , | 4 Comments