Tag Archives: composers

multiphonic monday – pitch bending multiphonics (Bb clarinet)

First, a couple of general rules for pitch bending on multiphonics: * The highest audible pitch is the one being bent, and the pitch is always bend downwards, never up. * Bending a multiphonic often has an effect on its … Continue reading

Posted in glissandi, multiphonic | Tagged , , , , | 5 Comments

More techniques for a mouthpiece-less bass clarinet

Most of these techniques I’ve covered already, in my post on clarinet articulation. If you look there you’ll find information on tongue rams without the mouthpiece (and with, for that matter), flute embouchure (which only works – for me – … Continue reading

Posted in clarinet techniques, no mouthpiece, on composing for the clarinet, performance, singing, speaking, whistling | Tagged , , , , , | 5 Comments

…on double trills for Bb clarinet

This page is currently undergoing a two-phase reboot. The first phase (now completed) involved remaking all of the image files, fixing any errors I’ve found over the years, tidying up the audio files, and adding proper fingering diagrams (rather than … Continue reading

Posted in clarinet techniques, double trills, dyads, multiphonic, on composing for the clarinet, performance, trill, trills | Tagged , , , , , , , , , | 6 Comments

…on clarinet articulation

Bit of a monster post for you today, so I won’t waste too much time in introducing it. Basically I’m going to cover all the different ways the tongue and throat can be involved when playing the clarinet. From the basics … Continue reading

Posted in articulation, clarinet techniques, double tongue, flute embouchure, flutter tongue, multiphonic, on composing for the clarinet, shaking, slap tongue, spectral multiphonic, tongue ram, trumpet embouchure | Tagged , , , , , , , , , , , | 26 Comments

…on using the register key

Something that’s started to interest me recently when it comes to clarinet writing and collaboration with composers, is the generation of material. I love these long collaborative meetings where you just sit together and generate material for its own sake. And … Continue reading

Posted in clarinet techniques, multiphonic, on composing for the clarinet, performance, register key, trill | Tagged , , , , , , , , , , | 6 Comments