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upcoming performances:
June 19. – at Out of the Brew in New Cross, London, music by Patricia Alessandrini, Christopher Fox and Chikako Morishita
June 25. George Crumb Portrait with Marsayas Trio & guests at St. John’s Smith Square, London
June 30. Open Ear at LSO St. Luke’s with Apartment House
July 14. LSO SoundHub Concert, music by Robin Haigh, Lillie Harris, Yvonne Eccles and Nick Morrish
July 15. Cheltenham Festival with Scott Wilson, Xenia Pestova and Carla Rees – new pieces by student composers of the festival for clarinet, flute, piano and electronics
August 13. Another Timbre Canadian Composers Release Party with Apartment House at Cafe Oto, London.
https://open.spotify.com/follow/1/?uri=spotify:artist:4fFOV4TeO0Q6BfjrLgxLg2&size=basic&theme=light
recent tweets
- Practising Sara Glojnarić's sugarcoating #2 for a concert with mimitabu next week in Gothenburg. I love this piece… twitter.com/i/web/status/1… 10 hours ago
- Really lovely interview with Michael Collins in the latest @CASSGB mag - always found his energy for music super in… twitter.com/i/web/status/1… 11 hours ago
- Pretty sure Chelsea Girls is the book I should have been reading when I was 16 and was reading On the Road 13 hours ago
Tag Archives: composers
multiphonic monday – pitch bending multiphonics (Bb clarinet)
If this post was useful for you, please consider becoming a Patron. For as little as $1 per blog post you can help! First, a couple of general rules for pitch bending on multiphonics: * The highest audible pitch is … Continue reading
Posted in glissandi, multiphonic
Tagged clarinet, composers, composition, multiphonics, new music
5 Comments
More techniques for a mouthpiece-less bass clarinet
Most of these techniques I’ve covered already, in my post on clarinet articulation. If you look there you’ll find information on tongue rams without the mouthpiece (and with, for that matter), flute embouchure (which only works – for me – … Continue reading
…on double trills for Bb clarinet
This page is currently undergoing a two-phase reboot. The first phase (now completed) involved remaking all of the image files, fixing any errors I’ve found over the years, tidying up the audio files, and adding proper fingering diagrams (rather than … Continue reading
Posted in clarinet techniques, double trills, dyads, multiphonic, on composing for the clarinet, performance, trill, trills
Tagged clarinet, clarinet techniques, collaboration, composers, contemporary clarinet technique, contemporary clarinet techniques, contemporary music, double trills, new music, techniques
7 Comments
…on clarinet articulation
Bit of a monster post for you today, so I won’t waste too much time in introducing it. Basically I’m going to cover all the different ways the tongue and throat can be involved when playing the clarinet. From the basics … Continue reading
Posted in articulation, clarinet techniques, double tongue, flute embouchure, flutter tongue, multiphonic, on composing for the clarinet, shaking, slap tongue, spectral multiphonic, tongue ram, trumpet embouchure
Tagged articulation, bass clarinet, clarinet, clarinet articulation, clarinet techniques, collaboration, composers, contemporary clarinet technique, contemporary clarinet techniques, contemporary music, new music, tonguing
29 Comments
…on using the register key
Something that’s started to interest me recently when it comes to clarinet writing and collaboration with composers, is the generation of material. I love these long collaborative meetings where you just sit together and generate material for its own sake. And … Continue reading
Posted in clarinet techniques, multiphonic, on composing for the clarinet, performance, register key, trill
Tagged bass clarinet, clarinet, collaboration, composers, contemporary clarinet technique, contemporary clarinet techniques, contemporary music, multiphonics, new music, register key, trills
6 Comments
