Tag Archives: new music

… on bass clarinet preparations

I started thinking more seriously about preparing the bass clarinet after Aaron Einbond used it in his (awesome) piece, Resistance, for prepared bass clarinet and live electronics. I originally assumed that it wouldn’t be so useful: one can only prepare the … Continue reading

Posted in aluminium foil, bending, clarinet techniques, flutter tongue, multiphonic, on composing for the clarinet, performance, preparations, singing, spectral multiphonic, water | Tagged , , , , , , , , | 8 Comments

…on soprano clarinet glissandi

Clarinet glissandi are fun. But they’re quite hard to understand for composers, because they aren’t easy in all registers and what individual performers can or can not do affects a lot. This post won’t necessarily be comprehensive, but as with … Continue reading

Posted in bending, clarinet techniques, glissandi, on composing for the clarinet, performance, singing | Tagged , , , , , , , , | 4 Comments

…on writing air sounds for clarinets

Video introduction to this blogpost (see below for the rest of the post):   Update (Feb 15, 2017): It’s the three year anniversary of this post this week, so I’ve updated it with some contrabass clarinet air sounds and a … Continue reading

Posted in air sounds, articulation, collaboration, flute embouchure, flutter tongue, on composing for the clarinet, performance, slap tongue, spectral multiphonic | Tagged , , , , , , , , , , | 29 Comments

on chamber music

A few weeks ago, as part of a week long residency at Bangor University (specifically to play a rockin’ concert with Xenia Pestova and Carla Rees), I was asked to lead a workshop on chamber music performance. I don’t teach … Continue reading

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the cologne new music scene

This article was published in German this week in the ON magazine (online version is here). The magazine features a number of articles from local interpreters, composers and even dancers, discussing their experience of the scene here in Cologne. Here … Continue reading

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