Tag Archives: performance

on chamber music

A few weeks ago, as part of a week long residency at Bangor University (specifically to play a rockin’ concert with Xenia Pestova and Carla Rees), I was asked to lead a workshop on chamber music performance. I don’t teach … Continue reading

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the cologne new music scene

This article was published in German this week in the ON magazine (online version is here). The magazine features a number of articles from local interpreters, composers and even dancers, discussing their experience of the scene here in Cologne. Here … Continue reading

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the kölner musiknacht: another performance paradigm

Some time ago, I wrote at length about my ensemble‘s last experiment with the audience-performer relationship through an alternative concert situation, our Unter Vier Ohren project. As I’ve been so focused on developing audience-performer/ensemble relationships, the Kölner Musiknacht seemed the … Continue reading

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competitions: some ramblings and a few questions

Recently, I’ve been asked to consider the reasons why I participate in composition competitions. I really wanted to address some of the problems with competitions, but instead I’ve just rambled positively about one of my favourite projects in the hope … Continue reading

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Approaches to the performer/audience relationship: a case study

Over the last two weeks, my ensemble has collaborated with ensemble chronophonie on a fairly unusual concert presentation. Called Unter Vier Ohren (literally “under four ears” – “unter vier Augen” means “between the two of us”), we installed 7 musicians … Continue reading

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