Category Archives: clarinet history

10 Female Composers You Should Know (and their clarinet pieces)

Posted on May 3, 2017 by heatherroche

If this post was useful for you, please consider becoming a Patron. For as little as $1 per blog post you can help! I noticed that this was making the rounds on Twitter again this morning, and I thought that … Continue reading →

Posted in advice, clarinet history, collaboration, on collaboration & composition, performance | 10 Comments

A Collaborative History of the Clarinet: Nielsen / Oxenvad

Posted on September 8, 2014 by heatherroche

Carl Nielsen’s Clarinet Concerto (1928) was written just three years after the Sixth Symphony was finished, Nielsen at the time was suffering some illness and disillusionment both with his own lack of international success and what he perceived as the … Continue reading →

Posted in clarinet history, repertoire | 1 Comment

A Collaborative History of the Clarinet: Brahms / Mühlfeld

Posted on September 3, 2014 by heatherroche

It was in May 1890, when Johannes Brahms (1833-1897) was just 57 years of age, that his friend, Billroth, wrote in a letter, ‘He rejected the idea that he is composing or will ever compose anything.’ (qtd Mason 1970; 219) … Continue reading →

Posted in clarinet history, repertoire | Tagged , , , | 2 Comments

A Collaborative History of the Clarinet: Weber / Baermann

Posted on August 29, 2014 by heatherroche

Heinrich Baermann (1784-1847), trained at Potsdam, served in a military band, and after a tour that took him through England, France, Italy and Russia he arrived in Munich in 1811, widely famous. While there, it was arranged that Carl Maria … Continue reading →

Posted in clarinet history, repertoire | 2 Comments

A Collaborative History of the Clarinet: Spohr / Hermstedt

Posted on August 24, 2014 by heatherroche

In 1808, Duke Günther Friedrich Karl I of Sondershausen commissioned a concerto for the director of his wind band, Johann Simon Hermstedt (1778-1846), to be written by Louis Spohr (1784-1859). He wrote of his reaction to the commission, and of … Continue reading →

Posted in clarinet history, repertoire | 2 Comments